Marsh, Tanks, Power Plant

"Marsh, Tanks, Power Plant"    SOLD
oil on panel, 2011
6" x 6" (15.24cm x 15.24cm)

Part of our modern urban landscapes, the mix of industry and adjacent natural areas. Not always good but hard to ignore. This view poses the dense, choked out man made structures against open natural areas. Encroaching sometimes, but always a fascinating juxtaposition.

This is similar in theme to my previous "HB Power Plant - Dusk". If we want to live in the scenic areas, like along the coast, we can't always choose what comes along with that, including the oil storage tanks since this is where the oil is found. At least until we figure out how to build lower profile supporting industry.

We can design and build homes to blend into the surrounding environment, we can restore natural habitats. So someday we'll build industry that is green(er), contained and less visible against these natural areas. It's all about a proper balance.159

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Portrait of an Oil Plant

“Oil Plant # 9 (Broken Pipe)"
oil on panel, 2011
6” x 6” (15.24cm x 15.24cm)

This is the third of my paintings in the  6" Squared Exhibition and Sale at the Randy Higbee Gallery , Saturday December 3rd through Thursday December 22nd.
The opening was packed as usual with lots of little painted gems. The real joy of a show like this is the wide variety styles and artistic approaches among the 500 or so artworks, including some fabulous watercolors and pastels. Impossible to pick a favorite. In addition to the art, meeting the collectors and other artists is always a highlight of the evening.

When I have a visceral reaction to something I sometimes have to pause, really look and figure out what it is I’m seeing. It is not always obvious. I initially responded to this view of the storage tanks for its clean, neat and tidy nature. Not too cluttered, no scattered remnants of the broken plant other than the broken pipe, which was my own invention.
What I eventually saw in this view was an industrial version of an old face, wrinkles and all... a portrait of the oil plant ... solemn, dignified. It reminded me of a man with most of his years behind him, who had a well lived life, worked hard, but is still vital, still fastidious and loaded with silent stories.153


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Chain Links

"Tanks, Wires, Well"  SOLD
oil on panel, 2010
6" x 8" (15.24cm x 20.32cm)

The main feature here is not so much the tanks themselves; it's the new, the now, it is industry at work, oil being siphoned from the ground, stored, then transferred to refineries. Without it we are stagnant.

So a livelier composition, one that does not allow the eyes to rest, but instead bounce around. Crowded with tanks and trees, wires slicing diagonally, a tonally busy sky, animated shapes.
The wires represent the path of crude oil, from the well, to holding and eventually into our lives. Links in a chain.79
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Ghostly Structure

"Oil Plant Backside (w/ Storage Tanks)"   SOLD

oil on panel, 2010

5" x 7" (12.7cm x 17.78cm)

Featured in Crussell Fine Art 2011 International Survey Periodical

Here again the oil plant, (previous images under post headings 'Aging Relic' and 'Bleached White Sky' ).

A fabulous view from the back with it's white storage tanks being gradually overrun by rust, taking on a patina of colors ranging from burnt sienna to deep copper to a rich chocolate, the whitewashed wood cladding showing itself in grays, blues and greens. A palette I love.

Seen in the late afternoon, the sun reveals the ghostly structure, the top wisped in shadow. It's age apparent by the holes, missing and leaning sections, rust, stained wood and foreground growth. All contrasted against the newer power pole, it's wires, bypassing the older oil plant.

Painted with precision while allowing hints of a 'shaky hand' here and there to remind of it's delicate state. Presented from a distance but tightly cropped. A subject still robust but unsentimental. It's purpose having been served.63

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Solidarity

"Pipe Bundles, Two Tanks"    SOLD

oil on panel, 2010

5" x 7" (12.7cm x 17.78)

Heavy sky, weighty foreground... mass and solidity. It's the middle ground that gets the attention here. The pipe bundles shoot in from the left giving rise to the two tanks, sharp and glossy against the softly focused pale apartment building.

Standing in solidarity, rearing up against the horizontal elements. Pyramid composition, echoed by the triangular dormer. Bracketed by the white bundle ties and painted steel girders.

I've talked before of what I see in industrial subjects and of changes I make to further strengthen my view... what to include, what to leave out.

In this painting I darkened the bundles and softened the edges of the building. I scrubbed in a leaden sky in favor of the clear blue one and changed the bundle ties to white, all to give more importance to the tanks. I also deepened and textured the shiny tanks and edged the color towards orange.

The last two (changes) both, unite tanks and sky in appearance but separate them in complimentary color.

I often come across some scene that strikes me in some way and want to capture it... but realize what is before me is a little short of that, so I edit and fine tune the image until I achieve that end.62

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